Violet Jessop - in Popular Culture

In Popular Culture

In James Cameron's 1997 blockbuster Titanic, a fictional counterpart to Jessop was written in by Cameron, named Lucy. She can first be seen in the background, setting things up in first-class passenger Rose DeWitt Bukater's stateroom. After the Titanic starts sinking, naval architect Thomas Andrews (Victor Garber) tells her to put her lifebelt on to "set a good example." These are the same instructions given to Jessop (to set a good example for non-English speaking passengers). Unlike her real life counterpart however, Lucy dies during the sinking of Titanic. She can subsequently be seen when Rose reunites with her lover Jack in a dream on the Titanic; she is at the top of the staircase next to the wooden column.

This representation closely mirrors a scene in the 1958 Titanic film A Night to Remember, where a stewardess, played by Marianne Stone is addressed by Thomas Andrews (Michael Goodliffe) and instructed to wear her lifebelt.

The character of Jessop is also featured in a stageplay Iceberg - Right Ahead! by Chris Burgess, staged for the first time Upstairs at the Gatehouse in Highgate to commemorate the centenary of the sinking of Titanic. It is billed as 'A dramatic account of the last twelve hours in the life of an 'unsinkable ship'. From the calm afternoon of 14 April 1912 to the rescue by RMS Carpathia on the morning of 15 April'. The role of Violet Jessop was played by Amy Joyce Hastings.

Read more about this topic:  Violet Jessop

Famous quotes containing the words popular and/or culture:

    You seem to think that I am adapted to nothing but the sugar-plums of intellect and had better not try to digest anything stronger.... a writer of popular sketches in magazines; a lecturer before Lyceums and College societies; a dabbler in metaphysics, poetry, and art, than which I would rather die, for if it has come to that, alas! verily, as you say, mediocrity has fallen on the name of Adams.
    Henry Brooks Adams (1838–1918)

    The hatred of the youth culture for adult society is not a disinterested judgment but a terror-ridden refusal to be hooked into the, if you will, ecological chain of breathing, growing, and dying. It is the demand, in other words, to remain children.
    Midge Decter (b. 1927)