Television
Jones also appeared in the US series Chuck – in episode 2 of the third series he plays an arms dealer (the main villain). In 2010 he was added to the cast of the NBC superhero/crime drama series The Cape.
Jones narrated the TV series Vinnie Jones’ Toughest Cops. The series commenced airing in 2008 on ITV4 in the UK. Each episode to date has examined the work of a police force in a different country in the world, concentrating on dangerous aspects of the work. The first show concerned police in Colombia.
Jones was the first ever guest host for The Friday Night Project when it first aired on Channel 4 in February 2005. In the same year he also had a minor role in the film She's the Man as coach Dinklage. He also appeared in an episode of Extras playing an exaggerated version of himself.
Jones appeared on the first episode of the second season of Top Gear in their Star in a Reasonably Priced Car segment. He managed to make it around the track in 1 minute 53 seconds.
On 6 December 1998, Jones appeared at the World Wrestling Federation pay-per-view Capital Carnage, where he played up his 'hard man' image, acting as a special guest enforcer for the main event. Before the match he had a (staged) fight with fellow enforcer the Big Bossman and was "red carded" and kicked out. He came back at the end of the show to drink beer with "Stone Cold" Steve Austin and referee Earl Hebner. Jones returned to the promotion, now known as World Wrestling Entertainment, on 18 February 2007 at No Way Out, where he claimed he had "kicked Stone Cold's arse" on the set of The Condemned.
Brian Michael Bendis announced via Twitter on 28 July 2011 that Vinnie will be playing Johnny Royale in Powers.
Jones is also joined Eric Wynalda and Coby Jones as studio analyst for Fox Soccer Sunday broadcast of the Premier League.
Read more about this topic: Vinnie Jones
Famous quotes containing the word television:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Laughter on American television has taken the place of the chorus in Greek tragedy.... In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.”
—Jean Baudrillard (b. 1929)
“All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
—Clive James (b. 1939)