Theatre
| Year | Title | Role | Venue | Run |
|---|---|---|---|---|
| 1935 | Victoria Regina | Prince Albert | Broadhurst Theatre | December 26, 1935 - June 1936 |
| August 31, 1936 - June 1937 | ||||
| 1937 | The Lady Has A Heart | Jean | Longacre Theatre | September 25, 1937 - December 1937 |
| 1938 | The Shoemaker's Holiday | Master Hammon | Mercury Theatre | January 1, 1938 - |
| National Theatre | February 1, 1938 - | |||
| Heartbreak House | Hector Hushabye | Mercury Theatre | April 29, 1938 - June 1938 | |
| Outward Bound | Rev. William Duke | Playhouse Theatre | December 22, 1938 - July 22, 1939 | |
| 1941 | Angel Street | Mr. Manningham | John Golden Theatre | 5 December 1941 – September 30, 1942 |
| 1942 | Bijou Theatre | October 2, 1942 - December 30, 1944 | ||
| 1942 | Yours, A. Lincoln | Lincoln | Shubert Theatre | July 9, 1942 - July 12, 1942 |
| 1953 | Richard III | Duke of Buckingham | City Centre | December 9, 1953 - December 20, 1953 |
| 1954 | Black-Eyed Susan | Dr. Nicholas Marsh | Playhouse Theatre (New York) | December 23, 1954 - December 25, 1954 |
| 1968 | Darling of the Day | Priam Farll | George Abbott Theatre | January 27, 1968 - February 24, 1968 |
| 1978 | Diversions and Delights | Oscar Wilde | Eugene O'Neill Theatre | April 12, 1978 - April 22, 1978 |
Read more about this topic: Vincent Price Filmography
Famous quotes containing the word theatre:
“Make them laugh, make them cry, and back to laughter. What do people go to the theatre for? An emotional exercise.... I am a servant of the people. I have never forgotten that.”
—Mary Pickford (1893–1979)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)