Interior
The interior of the piano nobile is painted with frescoes by Paolo Veronese in the artist's most contemporary style of the period. These paintings constitute the most important fresco cycle by this artist and were inspirational to many of the frescoes painted by other villa artists at that time. The frescoes have been dated to the beginning of the 1560s, or slightly before. To describe the frescoes by room: in the Hall of Olympus, Veronese painted Giustiniana, mistress of the house and wife of Marcantonio Barbaro, with her youngest son, wetnurse and the family pets, a parrot and spaniel dog. The family dog also appears in another room, The Room of the Little Dog. The Crociera room depicts imaginary landscapes and the villa's staff peering around trompe-l'œil doors. The Room of the Oil Lamp has images symbolizing virtuous behavior and strength. The Bacchus Room shows winemaking scenes and a chimneypiece carved with the figure of Ambundance, reflecting the bucolic ideals and splendor of the villa. The ceiling fresco of the north salon is a depiction of the planets represented by classical deities, which are linked to the signs of the zodiac. Gaia, the Earth goddess, is apparently depicted astride a dragon.
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Famous quotes containing the word interior:
“Or would interior time, that could delay
The sentence chronic with the last assize,
Start running backwards with its timely lies,
I might have time to live the love I say....”
—Allen Tate (18991979)
“Though the railroad and the telegraph have been established on the shores of Maine, the Indian still looks out from her interior mountains over all these to the sea.”
—Henry David Thoreau (18171862)
“The exterior must be joined to the interior to obtain anything from God, that is to say, we must kneel, pray with the lips, and so on, in order that proud man, who would not submit himself to God, may be now subject to the creature.”
—Blaise Pascal (16231662)