Vijeta Pandit - Career

Career

Rajendra Kumar cast her alongside with his son Kumar Gaurav in Love Story (1981), which became a "blockbuster" at the box office. She and Gaurav played star-crossed lovers, and they also developed a relationship off-screen. After the film became a hit, she turned down film offers wanting to be with Gaurav. But the relationship ended, due to family tensions. Vijayta went back to films and had another hit Mohabbat (1985).

She was also briefly married to film director Sameer Malkan who directed her in the flop Car Thief (1986). After a few more films, she quit acting and concentrated on playback singing. Her husband, composer Aadesh Shrivastava has produced a pop album titled Propose - Pyaar ka Izhaar which marks Vijayta's debut as a pop singer. Actress Madhuri Dixit launched the album for the press in February 2007.

Some films wherein Vijayta played the lead are Jeete Hain Shaan Se (1986), Deewana Tere Naam Ka (1987), Zalzala (1988), Pyar Ka Toofan (1990). She also sang for films like Jo Jeeta Wohi Sikandar (1992), Kabhi Haan Kabhi Naa (1993), Saazish (1998), Dev (2004) and Chingari (2005).

Apart from Hindi films, she has also starred in the blockbuster Bengali film Amar Sangi (1987) along with Prasenjit directed by Sujit Guha.

Her sister Sandhya Singh's remains were found recently. She is suspected to have been killed for her gold jewelry that she went to deposit to a Bank.

Read more about this topic:  Vijeta Pandit

Famous quotes containing the word career:

    From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.
    Robert Benchley (1889–1945)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)