Musical Style and Contributing Musicians
The album covers a variety of musical styles, including progressive rock ("Vigil"), pop rock ("Big Wedge"), hard rock ("View From The Hill"), and folk music ("The Company"). As he is primarily a lyricist and not a musical composer, Fish collaborated with keyboarder Mickey Simmonds in writing all songs except "View From The Hill", which was co-written and recorded with current Iron Maiden guitarist Janick Gers. Ex-Dire Straits guitarist Hal Lindes contributed additionally to the writing of "State of Mind", "Family Business" and "Cliché". He also played guitar on most tracks, along with Frank Usher, a Fish companion from pre-Marillion times. Drums were handled by Mark Brzezicki (of Big Country), John Keeble (of Spandau Ballet, "State of Mind" only), bass by John Giblin, additional percussion by Luis Jardim, backing vocals by Tessa Niles, who had already appeared on Clutching at Straws, Marillion's last album with Fish (1987), and Carol Kenyon. Apart from these, there are performances on individual songs by The Kick Horns (brass instruments on "Big Wedge"), Davy Spillane (pipes and tin whistle on "Vigil"), Phil Cunningham) (tin whistle, bodhran, accordion on "The Company", "Internal Exile"), Aly Bain (violin on "The Company", "Internal Exile") and Gavyn Wright (credited as Gavin Wright, violin on "The Company", orchestral arrangement on "A Gentleman's Excuse Me", which was recorded with a 23-piece orchestra at Abbey Road Studios).
The band with which Fish toured the album in 1989/1990 consisted of Mickey Simmonds (keyboards), Frank Usher & Robin Boult (guitars), Mark Brzezicki (drums) and Steve Brzezicki (bass, Mark's brother).
Read more about this topic: Vigil In A Wilderness Of Mirrors
Famous quotes containing the words musical, style, contributing and/or musicians:
“I think no woman I have had ever gave me so sweet a moment, or at so light a price, as the moment I owe to a newly heard musical phrase.”
—Stendhal [Marie Henri Beyle] (1783–1842)
“Switzerland is a small, steep country, much more up and down than sideways, and is all stuck over with large brown hotels built on the cuckoo clock style of architecture.”
—Ernest Hemingway (1899–1961)
“[Girls] study under the paralyzing idea that their acquirements cannot be brought into practical use. They may subserve the purposes of promoting individual domestic pleasure and social enjoyment in conversation, but what are they in comparison with the grand stimulation of independence and self- reliance, of the capability of contributing to the comfort and happiness of those whom they love as their own souls?”
—Sarah M. Grimke (1792–1873)
“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”
—Honoré De Balzac (1799–1850)