Effect On Popular Culture
In the words of one analysis, "The notion that the United States may have left men behind was hard to fathom, and Americans chose to partly solve this complex problem through fictional characters."
This was especially true in American films. The first was Chuck Norris's 1978 Good Guys Wear Black, which postulated a cynical U.S. government writing off MIAs with a bogus mission. 1983's Uncommon Valor, starring Gene Hackman, followed suit, as did Norris again in 1984 with Missing in Action.
By far the most visible film in this theme was Sylvester Stallone's Rambo: First Blood Part II in 1985, which did the most to popularize the idea that American POWs had been left behind after the war and that the government had no real interest in their rescue. The Rambo character, who in this film may have been partly modeled after Bo Gritz, was a Vietnam veteran commando still haunted by the multiple failures of the war. The pivotal moment of the film occurs when Rambo, realizing he was betrayed by the U.S. government and under torture from the Vietnamese and their Soviet allies, is put into radio communication with the officer who ordered the mission and tells him, "Murdoch. I'm coming to get you!" Rambo and the Norris films were commercially successful in both the United States and in Thailand and other parts of Southeast Asia, and did much to perpetuate the stock image of American prisoners held in bamboo cages.
Rambo was followed by Norris's 1985 prequel Missing in Action 2: The Beginning, as well as other films such as P.O.W. The Escape (1986) and Dog Tags (1990) that shared similar conceits. The Vietnam war POW/MIA issue was explored in some U.S. television series, such as the 1997 The X-Files episode "Unrequited".
Read more about this topic: Vietnam War POW/MIA Issue
Famous quotes containing the words effect, popular and/or culture:
“Man is endogenous, and education is his unfolding. The aid we have from others is mechanical, compared with the discoveries of nature in us. What is thus learned is delightful in the doing, and the effect remains.”
—Ralph Waldo Emerson (1803–1882)
“Both gossip and joking are intrinsically valuable activities. Both are essentially social activities that strengthen interpersonal bonds—we do not tell jokes and gossip to ourselves. As popular activities that evade social restrictions, they often refer to topics that are inaccessible to serious public discussion. Gossip and joking often appear together: when we gossip we usually tell jokes and when we are joking we often gossip as well.”
—Aaron Ben-Ze’Ev, Israeli philosopher. “The Vindication of Gossip,” Good Gossip, University Press of Kansas (1994)
“I’ve finally figured out why soap operas are, and logically should be, so popular with generations of housebound women. They are the only place in our culture where grown-up men take seriously all the things that grown-up women have to deal with all day long.”
—Gloria Steinem (b. 1934)