Effect On Popular Culture
In the words of one analysis, "The notion that the United States may have left men behind was hard to fathom, and Americans chose to partly solve this complex problem through fictional characters."
This was especially true in American films. The first was Chuck Norris's 1978 Good Guys Wear Black, which postulated a cynical U.S. government writing off MIAs with a bogus mission. 1983's Uncommon Valor, starring Gene Hackman, followed suit, as did Norris again in 1984 with Missing in Action.
By far the most visible film in this theme was Sylvester Stallone's Rambo: First Blood Part II in 1985, which did the most to popularize the idea that American POWs had been left behind after the war and that the government had no real interest in their rescue. The Rambo character, who in this film may have been partly modeled after Bo Gritz, was a Vietnam veteran commando still haunted by the multiple failures of the war. The pivotal moment of the film occurs when Rambo, realizing he was betrayed by the U.S. government and under torture from the Vietnamese and their Soviet allies, is put into radio communication with the officer who ordered the mission and tells him, "Murdoch. I'm coming to get you!" Rambo and the Norris films were commercially successful in both the United States and in Thailand and other parts of Southeast Asia, and did much to perpetuate the stock image of American prisoners held in bamboo cages.
Rambo was followed by Norris's 1985 prequel Missing in Action 2: The Beginning, as well as other films such as P.O.W. The Escape (1986) and Dog Tags (1990) that shared similar conceits. The Vietnam war POW/MIA issue was explored in some U.S. television series, such as the 1997 The X-Files episode "Unrequited".
Read more about this topic: Vietnam War POW/MIA Issue
Famous quotes containing the words popular culture, effect, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
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“The machine has had a pernicious effect upon virtue, pity, and love, and young men used to machines which induce inertia, and fear, are near impotents.”
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“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)
“The fact remains that the human being in early childhood learns to consider one or the other aspect of bodily function as evil, shameful, or unsafe. There is not a culture which does not use a combination of these devils to develop, by way of counterpoint, its own style of faith, pride, certainty, and initiative.”
—Erik H. Erikson (1904–1994)