Composition
Today the Council has 40 members serving four-year terms. They represent 8 electoral regions, with five members representing each region.
The system changed for the 2006 Victorian election, as a result of major reforms passed by the Labor government, led by Steve Bracks, in 2003. Under the new system members serve fixed four-year terms unless the Assembly is dissolved sooner. Each region consists of 11 contiguous Legislative Assembly districts with about 420,000 electors who elect five members of the Legislative Council by the single transferable vote. There are now 40 members of the Legislative Council, four fewer than before. The changes have introduced proportional representation. The opportunity was also taken to remove the Council's ability to block supply. The reforms have made it easier for minor parties to gain election to the chamber and possibly gain the balance of power, as opposed to majority control by a single major party.
The Legislative Council was formerly elected from 22 single-member electorates called "provinces". The members of the council sat for two assembly terms so two members (MLCs) represented each province, elected in rotation one at a time by majority-preferential (AV) vote.
The old system tended to favour the Liberal Party of Australia and the National Party of Australia (often in coalition) over the Australian Labor Party and other parties. This caused many instances where a Labor-controlled Assembly faced an opposition-controlled Council — a rare occurrence elsewhere in Australia.
Read more about this topic: Victorian Legislative Council
Famous quotes containing the word composition:
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (1853–1890)