Music
Music featured regularly on the show, often with Wood singing self-penned songs accompanying herself on the piano. The best remembered tune from the show is the seven minute-long "The Ballad of Barry and Freda – Let's Do It". It concerns a couple, Barry and Freda; she is hungry for sex, he isn't. It climaxes with the lines "beat me on the bottom with a Womans Weekly, lets do it! Let's do it tonight!". The song has been performed numerous times by Wood in her live performances. Wood said of the number: "A joy to write, a sod to learn, and I daren't finish a show without it. The first time I performed it, a woman at the stage door asked, 'How long have you been cross-eyed?'"
As Seen On TV also featured other musical styles: So Pissed Off With Love, a duet with Wood and Denis Lawson; Keep On Shopping, an epic musical number about shopping; At The Chippy, with Wood, Walters, Meg Johnson and others singing in tribute to their local fish parlour; Marie And Clarie And Min, featuring Wood, Johnson and Hope Jackman as three old women on a seaside trip, as well as other numbers. The show also contained a skit on the old "fill in" footage often slotted into scheduling to cover technical breakdowns: "I'm Gonna Knock, Knock, Knock On Your Knocker". Comedy sketches also featured music, like the parody of the staging of a West End musical, Bessie, and a send-up of the Judy Garland–Mickey Rooney "let's put on a show" genre in "I'm Counting Moonbeams".
Preferring to work with people she knew, Wood hired David Firman to be musical director for the series. Firman had previously been musical director for Wood's play Good Fun.
Read more about this topic: Victoria Wood As Seen On TV
Famous quotes containing the word music:
“The train was crammed, the heat stifling. We feel out of sorts, but do not quite know if we are hungry or drowsy. But when we have fed and slept, life will regain its looks, and the American instruments will make music in the merry cafe described by our friend Lange. And then, sometime later, we die.”
—Vladimir Nabokov (1899–1977)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)