Victoria Memorial (India) - Design and Construction

Design and Construction

The memorial was designed by Sir William Emerson using Indo-Saracenic style, incorporating Mughal elements in the structure. Lord Redesdale and Sir David Prain designed the gardens. The foundation stone of the memorial was laid down in the year 1906. The monument was intended to serve as a tribute to the success of the British Empire in India.

Architect Sir William Emerson laid down the actual plan of the memorial. The design of the structure represents a fusion of British and Mughal architecture. White Makrana marbles were used in the construction of Victoria Memorial Hall and the building was inaugurated in the year 1921. The massive hall is 338 feet (103 m) by 228 feet (69 m) and rises to a height of 184 feet (56 m).

British government money was not used in its construction at all. Rather, the British Indian states, along with the individuals who wanted some favours from the British government, were the main contributors towards the cost of building the Victoria Memorial Hall.

The massive Victoria Memorial stands enclosed within 64 acres (260,000 m2) of blooming gardens. It houses a museum containing a large collection of memorabilia relating to Queen Victoria and the British presence in India as well as other exhibits. The Memorial also contains a Royal Gallery housing a number of portraits of Queen Victoria and Prince Albert and paintings illustrating their lives.

After India gained independence in the year 1947, certain additions were made to the Victoria Memorial. These additions formed National Leader's Gallery, containing the portraits and relics relating to Indian independence.

Read more about this topic:  Victoria Memorial (India)

Famous quotes containing the words design and/or construction:

    Joe ... you remember I said you wouldn’t be cheated?... Nobody is really. Eventually all things work out. There’s a design in everything.
    Sidney Buchman (1902–1975)

    No real “vital” character in fiction is altogether a conscious construction of the author. On the contrary, it may be a sort of parasitic growth upon the author’s personality, developing by internal necessity as much as by external addition.
    —T.S. (Thomas Stearns)