Vertigo (DC Comics) - Experimental Works

Experimental Works

In addition to the various sub-imprints and formats, Vertigo was also an early adopter of hardcover collections of monthly comics, as well as hardcover OGNs (original graphic novels). In addition, the 2003 one-shot Vertical featured dimensions unique in the comics field. Half the width of a "normal" comic, Vertical was also stapled at the top making it "twice as tall." The dimensions were, while gimmicky, chosen delibertely to complement Steven T. Seagle's story, which revolved around tall buildings and, of course, feelings of "Vertigo." (N.B. Vertical was not the first comics title to hinge on the "wrong" side. A tried-and-tested method for presenting newspaper comic strips, the 2003 DC Elseworlds story Batman: Nine Lives also used this method - although unlike those titles, Vertical is designed to be read vertically, and not horizontally.)

Neil Gaiman and Charles Vess' Stardust was released by Vertigo as a heavily illustrated novel, rather than a regular comic, and Vertigo has also experimented with the dimensions of their OGNs, releasing several that are of a non-comic-book-standard size, including Dave Gibbons' The Originals and Mat Johnson's Incognegro (which also featured somewhat experimental artwork, namely art - by Warren Pleece - that was fully black and white, with no "halftones or grays").

Read more about this topic:  Vertigo (DC Comics)

Famous quotes containing the words experimental and/or works:

    The very hope of experimental philosophy, its expectation of constructing the sciences into a true philosophy of nature, is based on induction, or, if you please, the a priori presumption, that physical causation is universal; that the constitution of nature is written in its actual manifestations, and needs only to be deciphered by experimental and inductive research; that it is not a latent invisible writing, to be brought out by the magic of mental anticipation or metaphysical mediation.
    Chauncey Wright (1830–1875)

    The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?
    Martina Navratilova (b. 1956)