Verhofstadt I Government - Composition

Composition

Minister Name Party
Prime Minister Guy Verhofstadt VLD
Deputy Prime Minister - Employment Laurette Onkelinx PS
Deputy Prime Minister - Foreign Affairs Louis Michel PRL
Deputy Prime Minister - Budget, Social Integration and Social Economy Johan Vande Lanotte SP
Deputy Prime Minister - Mobility and Transportation Isabelle Durant Ecolo
Deputy Prime Minister - Consumer Affairs, Public Health and Environment Magda Aelvoet Agalev
Interior Antoine Duquesne PRL
Social Affairs and Pensions Frank Vandenbroucke SP
Civil Service and Modernisation of the Public Authorities Luc Van den Bossche SP
Defence André Flahaut PS
Agriculture and Middle Classes Jaak Gabriëls VLD
Justice Marc Verwilghen VLD
Finance Didier Reynders PRL
Telecommunication and Government Enterprises and Participations Rik Daems VLD
Economy and Scientific Research Rudy Demotte PS
Secretary of State Name Party
Foreign Trade Pierre Chevalier VLD
Development Cooperation Eddy Boutmans Agalev
Energy and Sustainable Development Olivier Deleuze Ecolo

The Secretary of State for Foreign Trade and the Secretary of State for Development Cooperation were attached to the Minister of Foreign Affairs. The Secretary of State for Energy and Sustainable Development was attached to the Minister of Mobility and Transportation.

Read more about this topic:  Verhofstadt I Government

Famous quotes containing the word composition:

    “I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
    —Henry David Thoreau (1817–1862)

    “If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
    —George Gordon Noel Byron (1788–1824)

    “Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
    —James Boswell (1740–1795)