Vera Sto Dexi - Cultural Impact and References

Cultural Impact and References

Contrary to the usual negative buzz surrounding daytime soap operas, Vera sto Dexi has been critically lauded. Many scholars and academics have praised the series for its powerful use of dialogue, and its ingenious character development. Despite the fact that the series has featured a love triangle, the romantic storyline has never been the center of the action. Many Greek actors have appeared in the series, including theater veterans Katia Dandoulaki, Kostas Kazakos, Danis Katranidis and Kostas Arzoglou. The series has also been praised by the media as genuinely complex, powerfully moving and well-written. One of the series' creators, Helena Akrita, has been quoted as saying that she is usually in charge of the more emotional storylines and the development of the female characters, whereas her co-writer and fellow creator of the show Yiorgos Kiritsis chooses the more mysterious, adventurous storylines and is responsible for the development of the male characters. The show is full of references to poetry, music, film and worldwide literature, and is known for its expression of frequent and different political opinions. It is also known for the many social issues it has tackled, such as the position of women in modern societies and cultures, childhood abuse, the state of the penitentiary system and justice and more.

Read more about this topic:  Vera Sto Dexi

Famous quotes containing the words cultural and/or impact:

    To recover the fatherhood idea, we must fashion a new cultural story of fatherhood. The moral of today’s story is that fatherhood is superfluous. The moral of the new story must be that fatherhood is essential.
    David Blankenhorn (20th century)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)