Vera Mukhina - Work

Work

Mukhina's most celebrated work by far is the giant monument Worker and Kolkhoz Woman which was the centerpiece of the Soviet pavilion at the 1937 International Exhibition in Paris. It was the world's first welded sculpture. The 24-meter-tall, 75-ton monument was made of plate of stainless steel on a wooden frame, the plates connected by an innovative method of spot welding. One hand of each figure holds respectively a hammer and a sickle, the two implements joining to form the hammer and sickle symbol of the Soviet Union. In 1947 the sculpture, now on permanent display at the All-Russia Exhibition Centre, became the logo of the Russian Mosfilm studio. It was renovated and re-installed on a higher pedestal in 2009.

Muhkina's other work includes:

  • 1927 Peasant Woman, freestanding bronze, now at the Tretyakov Gallery in Moscow
  • the 1934 Fertility and 1939 Bread, both now standing in Moscow's Friendship Park
  • three cornice figures on the pediment of the Winter Theater in Sochi, 1937
  • the monumental group We Demand Peace, 1950-1951 (Mukhina served as coordinator of other sculptors and contributor; her figure is the mourning mother)
  • the 1952 Maxim Gorky Monument in Nizhny Novgorod
  • the statue of Tchaikovsky in front of the Moscow Conservatory
  • the finial figure of Mir ("Peace"), with armillary sphere and dove, for the 1954 Volgograd Planetarium
  • Theatrical costume design (1916)

Read more about this topic:  Vera Mukhina

Famous quotes containing the word work:

    They [parents] can help the children work out schedules for homework, play, and television that minimize the conflicts involved in what to do first. They can offer moral support and encouragement to persist, to try again, to struggle for understanding and mastery. And they can share a child’s pleasure in mastery and accomplishment. But they must not do the job for the children.
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    If therefore my work is negative, irreligious, atheistic, let it be remembered that atheism—at least in the sense of this work—is the secret of religion itself; that religion itself, not indeed on the surface, but fundamentally, not in intention or according to its own supposition, but in its heart, in its essence, believes in nothing else than the truth and divinity of human nature.
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    When I consider thy heavens, the work of thy fingers, the moon and the stars, which thou hast ordained; what is man, that thou art mindful of him? and the son of man, that thou visitest him? For thou hast made him a little lower than the angels, and hast crowned him with glory and honour.
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