Life
Mukhina was born in Riga into a wealthy merchant family, and lived at Turgeneva st. 23/25, where a memorial plaque has now been placed. She later moved to Moscow, where she studied at several private art schools, including those of Konstantin Yuon and Ilya Mashkov. In 1912 she traveled to Paris, where she attended the Académie de la Grande Chaumière and took lessons from Emile-Antoine Bourdelle, then continued on to Italy to explore the art and sculptures of the Renaissance period.
In 1915 and 1916, she served as assistant to Aleksandra Ekster at Alexander Tairov's Chamber Theater in Moscow. In 1918 she married Alexei Zamkov, a military surgeon.
In the 1920s Mukhina rose to become one of the Soviet Union's most prominent sculptors, and although she continued to produce cubist sculpture as late as 1922, she became a leading figure of Socialist realism, both in style and ideology. She taught at the state school, Vkhutemas, in 1926-1927, and came to international attention with the 1937 Worker and Kolkhoz Woman. Her studio's work on official monuments and architectural sculpture on state commissions continued through her death. She also experimented with glass, producing glass figural busts.
From 1941 to 1952, Mukhina won the Stalin Prize five times, was named People's Artist of the USSR in 1943. In 1953 she wrote "A Sculptor's Thoughts".
Because of Muhkina's influence as a great Soviet artist, and as a former student of the Latvian sculptor Kārlis Zāle, she persuaded Soviet officials in the late 1940s that the Freedom Monument in Riga was of great artistic importance. Due to her efforts the monument was not demolished to make way for a statue of Joseph Stalin.
Mukhina's house and studio at 3a Prechistensky Lane is slated for demolition. She's buried at the Novodevichy Cemetery.
Read more about this topic: Vera Mukhina
Famous quotes containing the word life:
“In this loveless everyday life eroticism is a substitute for love.”
—Henri Lefebvre (b. 1901)
“The nature of women’s oppression is unique: women are oppressed as women, regardless of class or race; some women have access to significant wealth, but that wealth does not signify power; women are to be found everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their children—we are tangled, hopelessly it seems, in the gut of the machinery and way of life which is ruinous to us.”
—Andrea Dworkin (b. 1946)
“For the salvation of his soul the Muslim digs a well. It would be a fine thing if each of us were to leave behind a school, or a well, or something of the sort, so that life would not pass by and retreat into eternity without a trace.”
—Anton Pavlovich Chekhov (1860–1904)