History
Varsity is one of Britain's oldest student newspapers. Its first edition was published in 1931 as Varsity: the Cambridge University Illustrated (later The Varsity Weekly, and then the Cambridge Varsity Post). However, the first few years saw Varsity get off to a shaky start. In 1932 controversy about some of the stories resulted in the editor being challenged to a duel, and the following year the paper went bankrupt with losses of £100.
A variety of attempts to revive Varsity led to the paper resurfacing periodically over the following decade, but it was not until 1947 that the paper was re-established permanently in its current form. Harry Newman Jr (1921–2001), a graduate from Harvard and the Harvard Business School, then studying for a postgraduate degree at St John's College, Cambridge, decided that Cambridge needed a proper American-style campus newspaper modeled on the Crimson. 'Varsity', the name of an obsolete publication, was used due to a post-war ration on newsprint. Only publications that had existed before the War could be allocated paper. On 19 April 1947 Varsity reappeared again, with the first issue headlining the coming visit of the then Princess Elizabeth to the University. Unfortunately the visit never took place.
In a letter published in Varsity at the end of the year 1971-2, Harry Newman wrote, "Varsity began over a bottle of sherry in John's, matured over a bottle of port in Caius and blossomed with a firkin of ale over the Victoria Cinema, where we pecked out the first issue on trestle tables (without chairs).
"Several of us -- Bill Watson (Professor of Social Anthropology), David Widdicombe (distinguished Q.C.), John Noonan (American Professor of Canon Law), Dave Reece (Canadian Diplomat), Bill Howell (prominent architect), and Geoffrey Neame, among others -- felt that what the University needed, in addition to its latest organisation, Y.A.S. (Yet Another Society), was an American-style college newspaper. ... It was truly an international effort, British (all three), Canadian, American, Hungarian, and Indian."
Geoffrey Neame, "a leading light among the Nightclimbers of Cambridge and the Gentlemen of Caius", was the first post-1947 layout editor. The first Managing Editor was the Scotsman "Wee Willie Watson", a fighter pilot. The second Editor (after Newman) was David Widdicombe, a Queens' student who was also Chairman of the Labour Club.
Varsity's headquarters in 1947 was above the Scotch Hoose, "a restaurant at the corner of the Market and Market Street". At first, 5,000 copies were printed.
In the 1950s, Varsity's offices were in a former shop in St. Edwards Passage, next door to the Arts Theatre.
In 1955, a one-off Oxford edition of the paper was produced by the then editor Michael Winner. Since then the paper has concentrated on the Cambridge audience.
In 1956, the current staff, worried about debts, questioned Varsity's legal status. Solicitors were consulted, who advised that any debts arising from its considerable turnover (advertising income, printing costs etc.) or damages awarded for libel etc. would be the personal responsibility of the current Editor. "Varsity" was promptly converted into a limited liability company - "Varsity Publications Ltd", with a share capital of £100. 50% of the shares were taken by the printers, 20% by the Don who was the senior Treasurer and the rest, at £1 per head, by the current staff.
In the mid-1970s, Varsity merged with the radical campaigning student paper Stop Press. Thereafter, it was known as Stop Press with Varsity for several years, before reverting to its original title in the late 1980s.
Read more about this topic: Varsity (Cambridge)
Famous quotes containing the word history:
“Revolutions are the periods of history when individuals count most.”
—Norman Mailer (b. 1923)
“If you look at history youll find that no state has been so plagued by its rulers as when power has fallen into the hands of some dabbler in philosophy or literary addict.”
—Desiderius Erasmus (c. 14661536)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)