Studio Albums
| Year | Album details | Peak chart positions | Certifications |
||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| U.S. | UK | AT | DE | CH | NL | SW | FR | IT | POR | GRE | |||
| 1972 | Fais que ton rêve soit plus long que la nuit (lit. "Make Your Dream Last Longer Than the Night")
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1973 | Earth
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1975 | Heaven and Hell
|
204 | 31 | — | — | — | — | — | — | — | — | — | — |
| 1976 | Albedo 0.39
|
— | 18 | — | — | — | — | — | — | — | — | — | — |
| 1977 | Spiral
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1978 | Beaubourg
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1979 | China
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1980 | See You Later
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1984 | Soil Festivities
|
— | 55 | — | — | — | — | — | — | — | — | — | — |
| 1985 | Mask
|
— | 69 | — | — | — | — | — | — | — | — | — | — |
| 1985 | Invisible Connections
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1988 | Direct
|
— | — | — | — | — | — | 33 | — | — | — | — | — |
| 1990 | The City
|
— | — | — | — | — | — | — | — | — | — | — | — |
| 1995 | Voices
|
— | 58 | 6 | 24 | 7 | 36 | 50 | — | — | — | 1 | — |
| 1996 | Oceanic
|
— | — | 22 | 87 | 37 | 98 | 60 | 29 | 18 | — | 1 | — |
| 1998 | El Greco
|
— | — | — | 74 | — | — | — | — | 66 | — | — | — |
| 2001 | Mythodea: Music for the NASA Mission: 2001 Mars Odyssey
|
— | — | — | 46 | — | — | — | 75 | — | 2 | 1 | — |
| "—" denotes releases that did not chart or receive certification. | |||||||||||||
Read more about this topic: Vangelis Discography
Famous quotes containing the word studio:
“Surely it is one of the requisites of a tasteful garb that the expression of effort to please shall be wanting in it; that the mysteries of the toilet shall not be suggested by it; that the steps to its completion shall be knocked away like the sculptor’s ladder from the statue, and the mental force expended upon it be swept away out of sight like the chips on the studio floor.”
—Elizabeth Stuart Phelps (1844–1911)