Plot
The London Assignment is an animated prequel to the 2004 motion picture Van Helsing (released the same year). It tells of the events before the film, in which monster hunter Gabriel Van Helsing travels to London to investigate a series of horrific, and decidedly supernatural murders, being committed by the mad scientist Dr. Jekyll, in the form of his evil alter-ego, Mr. Hyde. When tracing Hyde to his underground fortress, Van Helsing finds a young woman who claims to be Queen Victoria, and discovers that Dr. Jekyll is in love with the Queen and in order to keep her young and thus immortal has been placed under a spell by Dr. Jekyll that turns her into a young woman for one night. In order to create the potion which causes the transformations Dr. Jekyll needs the drained souls of his freshly killed victims and thus the killings will never stop. Dr. Jekyll then kidnapps the Queen using the Golden Jubilee Balloon to escape. Van Helsing uses his grappling gun to follow the balloon then proceeds to board it. In the balloon, Dr. Jekyll becomes Mr. Hyde to kill Van Helsing and crashes the Balloon in the process. While fighting on the in-construction London Bridge, Mr. Hyde is shot through the arm but manages to escape. Upon returning the Queen, Van Helsing says that daybreak will break the spell, returning her to her real age. To reward him, the Queen kisses him, at the precise moment of daybreak, causing her to slap him and call for guards. Van Helsing sends word back to the Vatican about what has happened while he tracks Jekyll to Paris resulting in the opening scene of the main movie.
Read more about this topic: Van Helsing: The London Assignment
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Ends in themselves, my letters plot no change;
They carry nothing dutiable; they won’t
Aspire, astound, establish or estrange.”
—Philip Larkin (1922–1986)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)