The Sanctuary
The Sanctuary consisted of:
- The theater, dated to the end of the 3rd century BC or the beginning of the 2nd century BC; built for the musical and theatrical games held in the valley during the Mouseia festival. Spectators sat on seats cut in the mountain slope. Only the first row - the prohedria - was marble.
- The temple or altar of the Muses, dated in the 3rd century BC; a small rectangular building. After its abandonment the church of Ayia Triada was built upon the ancient foundations, which were revealed after the demolition of the church.
- A long Ionic stoa (length 96,70 m.) on the west of the temple, dated in the 3rd century BC; this housed the votive offerings to the Muses. Originally it had an internal wall and rooms; these were replaced later by a colonnade in the Corinthian order.
- Statues of the nine Muses; works of the poet and sculptor Onestos. These original stood in a single group; their bases were discovered during the excavations. On the five most well-preserved bases were found inscribed names of Muses and epigrams.
- The square tower of Askra, dated to the 4th century BC; the tower crowned the hill Pyrgaki and dominated the valley from the north. It had three storerooms on the ground floor. An earlier circuit wall, now ruined, enclosed the tower. It was probably built by the Thespians a little before 371 BC, the time of the battle of Leuktra, to control the movements of the Thebans.
Read more about this topic: Valley Of The Muses
Famous quotes containing the word sanctuary:
“Proverbs, like the sacred books of each nation, are the sanctuary of the intuitions. That which the droning world, chained to appearances, will not allow the realist to say in his own words, it will suffer him to say in proverbs without contradiction.”
—Ralph Waldo Emerson (18031882)
“If the veil were withdrawn from the sanctuary of domestic life, and man could look upon the fear, the loathing, the detestations which his tyranny and reckless gratification of self has caused to take the place of confiding love, which placed a woman in his power, he would shudder at the hideous wrong of the present regulations of the domestic abode.”
—Lydia Jane Pierson, U.S. womens rights activist and corresponding editor of The Womans Advocate. The Womans Advocate, represented in The Lily, pp. 117-8 (1855-1858 or 1860)