Literary Debut
In January 1905 she published an article in The New journal entitled, Lamartine Unknown (Lamartine Inconnu), the title of which alluded to her poetic lineage. Following this she published her first collection of poetry, Poems of the Sea and the Sun which had been inspired by her trip to Spain with Canudo the previous year. In 1906, A Love, the first part of a trilogy, was well received by critics. She began her collaborations with several magazines such as The Artist Europe, The Mercury, The New Review, The Age, La Plume, and Gil Blas, whose founder was the poet Filippo Tommaso Marinetti. Incest which appeared at the beginning of the year 1907 collected mixed reactions from the public and critics. The theme of a mother initiating her son to physical love was the most controversial. The year 1909 was dedicated to theater. May 28, Valentine Theatre Arts presents a one-act drama, The Fallen which was published by The New Review. Criticism was harsh, but the work was the first part of her dramatic trilogy The Theater of Women. In 1910 she published A woman and desire, an unacknowledged autobiographical confession that enabled her to express a few truths about female psychology and women's roles in society. In 1911, she moved into a studio at 19 rue de Tourville where her art would become denser and its most popular. She participated for the first time in the Salon des Indépendants, where she exhibited paintings and woodcuts until 1914.
On February 17, 1912, she inaugurated her 'Apollonian' parties, which were reported in the press. Rachilde gave a reading of his play, The Seller of Sunshine and Filippo Tommaso Marinetti recited poems. Others that were present included, Philippe Berthelot, Saint-Pol-Roux, Boccioni, Gino Severini, Canudo, Florent Schmitt, Countess Venturini, Ms. Mendes-Cattule, etc..
Read more about this topic: Valentine De Saint-Point
Famous quotes containing the words literary and/or debut:
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“Had I been less resolved to work, I would perhaps had made an effort to begin immediately. But since my resolution was formal and before twenty four hours, in the empty slots of the next day where everything fit so nicely because I was not yet there, it was better not to choose a night at which I was not well-disposed for a debut to which the following days proved, alas, no more propitious.... Unfortunately, the following day was not the exterior and vast day which I had feverishly awaited.”
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