Notes
- The title Vagabond Loafers parodies the romantic expression "vagabond lovers."
- Vagabond Loafers is a reworking of 1940's A Plumbing We Will Go, and would itself be remade in 1956 as Scheming Schemers. Shemp was teamed with comedian El Brendel for the non-Stooge film Pick a Peck of Plumbers (1944), which in itself was a remake of Sidney and Murray's Plumbing for Gold (1934).
- The film marked the final appearances of two prolific Stooge supporting actors: Symona Boniface and Dudley Dickerson. Their faces would be seen in several more Stooge films, however, when footage featuring the actors was recycled for future productions.
- This was the first Stooges short to start with a modified opening title card, which now had "Columbia Pictures Corporation Presents" at the top and a new logo for the Stooges (with one "o" on a different level from the other). This opening title card – with the same head shots of Shemp, Larry and Moe as on previous shorts – will remain in effect on all but the two 3-D films (Spooks! and Pardon My Backfire) the Stooges would make through the last short featuring footage of Shemp (Commotion on the Ocean) in 1956.
Read more about this topic: Vagabond Loafers
Famous quotes containing the word notes:
“My weary limbs are scarcely stretched for repose, before red dawn peeps into my chamber window, and the birds in the whispering leaves over the roof, apprise me by their sweetest notes that another day of toil awaits me. I arise, the harness is hastily adjusted and once more I step upon the tread-mill.”
—E. B., U.S. farmer. As quoted in Feminine Ingenuity, by Anne L. MacDonald (1992)
“I am thankful for small mercies. I compared notes with one of my friends who expects everything of the universe, and is disappointed when anything is less than best, and I found that I begin at the other extreme, expecting nothing, and am always full of thanks for moderate goods.”
—Ralph Waldo Emerson (18031882)
“My notes have a curious tendency, as I realize at last, to annihilate all they purport to record.”
—Samuel Beckett (19061989)