USS Wingfield (DE-194) - Transfer To The Pacific Theatre

Transfer To The Pacific Theatre

After upkeep in the New York Navy Yard and refresher training at Guantanamo Bay, Wingfield transited the Panama Canal on 1 July 1945 with units of Escort Division 55. She stopped briefly at San Diego, California, and arrived at Pearl Harbor on 20 July and underwent a five-day upkeep period. The ship then operated in the Hawaiian area training student officers in underway gunnery practices and anti-submarine exercises.

On 8 August 1945, Wingfield cleared Pearl Harbor with all other units of Escort Division 55 escorting SS Empress of Australia to the safety of the Eniwetok Atoll, Marshall Islands. While at sea on 15 August, the ships received word that Japan had capitulated. The ocean escorts entered Eniwetok lagoon the next day. Between 24 and 29 August, Wingfield joined in a vain search for a reported life raft.

Read more about this topic:  USS Wingfield (DE-194)

Famous quotes containing the words transfer, pacific and/or theatre:

    I have proceeded ... to prevent the lapse from ... the point of blending between wakefulness and sleep.... Not ... that I can render the point more than a point—but that I can startle myself ... into wakefulness—and thus transfer the point ... into the realm of Memory—convey its impressions,... to a situation where ... I can survey them with the eye of analysis.
    Edgar Allan Poe (1809–1849)

    The principle of majority rule is the mildest form in which the force of numbers can be exercised. It is a pacific substitute for civil war in which the opposing armies are counted and the victory is awarded to the larger before any blood is shed. Except in the sacred tests of democracy and in the incantations of the orators, we hardly take the trouble to pretend that the rule of the majority is not at bottom a rule of force.
    Walter Lippmann (1889–1974)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1858–1924)