The University of Iowa Press is a university press that is part of the University of Iowa.
Established in 1969, the University of Iowa Press publishes books that fill the needs of scholars and students throughout the world, poetry and short fiction, and works of creative nonfiction. As the only university press in the state of Iowa, it is also dedicated to preserving the literature, history, culture, wildlife and natural areas of the Midwest.
For scholars and students, the press publishes reference and course books in the areas of archaeology, American studies, American history, literary studies, literature and medicine, theatre studies and the craft of writing.
For general readers, the press publishes the winners of the Iowa Short Fiction Award and the Iowa Poetry Prize, poetry anthologies, books on the archaeology and natural history of the Midwest, cookbooks, letters and diaries, biographies, memoirs, regional history, and collections of historic and contemporary photographs.
Famous quotes containing the words university of, university, iowa and/or press:
“The great problem of American life [is] the riddle of authority: the difficulty of finding a way, within a liberal and individualistic social order, of living in harmonious and consecrated submission to something larger than oneself.... A yearning for self-transcendence and submission to authority [is] as deeply rooted as the lure of individual liberation.”
—Wilfred M. McClay, educator, author. The Masterless: Self and Society in Modern America, p. 4, University of North Carolina Press (1994)
“I am not willing to be drawn further into the toils. I cannot accede to the acceptance of gifts upon terms which take the educational policy of the university out of the hands of the Trustees and Faculty and permit it to be determined by those who give money.”
—Woodrow Wilson (1856–1924)
“When I was growing up I used to think that the best thing about coming from Des Moines was that it meant you didn’t come from anywhere else in Iowa. By Iowa standards, Des Moines is a mecca of cosmopolitanism, a dynamic hub of wealth and education, where people wear three-piece suits and dark socks, often simultaneously.”
—Bill Bryson (b. 1951)
“The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.”
—J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)