Universal Language - Seventeenth Century

Seventeenth Century

Recognizable strands in the contemporary ideas on universal languages took form only in Early Modern Europe. A lingua franca or trade language was nothing very new; but an international auxiliary language was a natural wish in light of the gradual decline of Latin. Literature in vernacular languages became more prominent with the Renaissance. Over the course of the 18th century, learned works largely ceased to be written in Latin. According to Colton Booth (Origin and Authority in Seventeenth-Century England (1994) p. 174) "The Renaissance had no single view of Adamic language and its relation to human understanding." The question was more exactly posed in the work of Francis Bacon.

In the vast writings of Gottfried Leibniz can be found many elements relating to a possible universal language, specifically a constructed language, a concept that gradually came to replace that of a rationalized Latin as the natural basis for a projected universal language. Leibniz conceived of a characteristica universalis (also see mathesis universalis), an "algebra" capable of expressing all conceptual thought. This algebra would include rules for symbolic manipulation, what he called a calculus ratiocinator . His goal was to put reasoning on a firmer basis by reducing much of it to a matter of calculation that many could grasp. The characteristica would build on an alphabet of human thought.

Leibniz's work is bracketed by some earlier mathematical ideas of René Descartes, and the satirical attack of Voltaire on Panglossianism. Descartes's ambitions were far more modest than Leibniz's, and also far more successful, as shown by his wedding of algebra and geometry to yield what we now know as analytic geometry. Decades of research on symbolic artificial intelligence have not brought Leibniz's dream of a characteristica any closer to fruition.

Other 17th-century proposals for a 'philosophical' (i.e. universal) language include those by Francis Lodwick, Thomas Urquhart (possibly parodic), George Dalgarno (Ars signorum, 1661), and John Wilkins (An Essay towards a Real Character and a Philosophical Language, 1668). The classification scheme in Roget's Thesaurus ultimately derives from Wilkins's Essay.

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    Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.
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