Union List of Artist Names - History

History

Work on the ULAN began in 1984, when the Getty decided to merge and coordinate controlled vocabulary resources for use by the J. Paul Getty Trust's many automated documentation projects. The Art and Architecture Thesaurus (AAT) was already being managed by the Getty at this time, and the Getty attempted to respond to requests from Getty projects for additional controlled vocabularies for artists' names (ULAN) and geographic names (TGN). In 1987 the Getty created a department dedicated to compiling and distributing terminology. The ULAN grows and changes via contributions from the user community and editorial work of the Getty Vocabulary Program.

Although originally intended only for use by Getty projects, the broader art information community outside the Getty expressed a need to use ULAN for cataloging and retrieval. The Getty thus distributed ULAN for broader use according to the tenets previously established for the construction and maintenance of the Art and Architecture Thesaurus: Its scope includes names needed to catalog and retrieve information about the visual arts and architecture; it is based on terminology that is current, warranted for use by authoritative literary sources, and validated by use in the scholarly art and architectural history community; and it is compiled and edited in response to the needs of the user community. Originally constructed as a simple alphabetized "union list" of clustered artist names and biographies, in order to make it consistent with the AAT and Getty Thesaurus of Geographic Names, in the late 1990s ULAN was brought into compliance with national and international standards for thesaurus construction. Its scope was broadened to include corporate bodies such as architectural firms and repositories of art, which may have hierarchical levels.

The ULAN was founded under the management of Eleanor Fink (head of what was then called the Vocabulary Coordination Group, and later Director of the Art History Information Program, later called the Getty Information Institute). The ULAN has been constructed over the years by numerous members of the user community and an army of dedicated editors, under the supervision of several managers. The ULAN was published in 1994 in hardcopy (Union List of Artist Names. Project manager, James M. Bower; senior editor, Murtha Baca. New York: G.K. Hall, 1994) and machine-readable files. Given the growing size and frequency of changes and additions to the ULAN, by 1997 it had become evident that hard-copy publication was impractical. It is now published in automated formats only, in both a searchable online Web interface and in data files available for licensing. The data for ULAN is compiled and edited in an editorial system that was custom-built by Getty technical staff to meet the unique requirements of compiling data from many contributors, merging, moving, and publishing in various formats. Final editorial control of the ULAN is maintained by the Getty Vocabulary Program, using well-established editorial rules. The current managers of the ULAN are Patricia Harpring, Managing Editor, and Murtha Baca, Head, Vocabulary Program and Digital Resource Management.

Read more about this topic:  Union List Of Artist Names

Famous quotes containing the word history:

    The history of medicine is the history of the unusual.
    Robert M. Fresco, and Jack Arnold. Prof. Gerald Deemer (Leo G. Carroll)

    Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertolt Brecht (1898–1956)

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)