Architecture
The most striking aspect of the building is its enormous curving frontage along the Victoria Embankment, with its giant Ionic columns between the fourth and sixth floors. The heavily rusticated ground floor is windowless to reduce traffic noise inside the building. The corners are marked by entrances surmounted by large plinths on which are placed sculptures of human figures restraining horses (called Controlled Energy) by Sir William Reid Dick. Merman and mermaid figures are by Gilbert Ledward. The original lift cars were lined with art deco pewter panels designed by Eric Gill.
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