Literary Significance and Reception
The Times Literary Supplement review of April 12, 1934 outlined the plot and stated that, "The artist who re-tells Celia's story ends several sentences in every paragraph with dots, a mannerism that irritates; but we must forgive him, since, in the final chapter, he heals Celia's soul in one unpredictable instant."
The New York Times Book Review of December 9, 1934 said of the plot construction of Celia telling Larraby her life history that, "This literary device seems artificial and unnecessary at first, but is effectively used in the ending." They concluded, "As a study of a shy, emotional nature, verging on the pathological, Unfinished Portrait is moderately well done. It is worth reading for its sympathetic – and sometimes very amusing – account of Celia's childhood. And in Celia's Grannie it introduces a grand old lady – an indomitable Victorian with a keen love of life, a fine hand for managing 'the men', and a gruesome interest in the final takings-off of the many friends and relatives whom she survived."
Read more about this topic: Unfinished Portrait (novel)
Famous quotes containing the words literary, significance and/or reception:
“In the course of a life devoted less to living than to reading, I have verified many times that literary intentions and theories are nothing more than stimuli and that the final work usually ignores or even contradicts them.”
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“Of what significance the light of day, if it is not the reflection of an inward dawn?to what purpose is the veil of night withdrawn, if the morning reveals nothing to the soul? It is merely garish and glaring.”
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“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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