Critical Reception
The film received mixed reviews from film critics, whose responses ranged from admiration to derision. On Rotten Tomatoes, it currently holds a "rotten" rating of 55% based on 116 reviews and 60% based on 30 top critics. On Metacritic, the film earned a metascore of 63% based on 30 reviews.
Among the critics who gave the film a positive review were Roger Ebert, who praised the film, giving it a full four stars. He wrote of the director, "Green has a visual style that is beautiful without being pretty. We never catch him photographing anything for its scenic or decorative effect." Ebert would later place the film 10th on his list of the best films of 2004. Owen Gleiberman of Entertainment Weekly gave the film a favorable review, calling it an "art film posing as a backwoods gothic thriller." Eric Harrison of the Houston Chronicle wrote, "From its opening lines and first enigmatic image, everything about Undertow is both dreamlike and real, artfully elusive and matter-of-fact." James Berardinelli gave it three out of four stars, giving praise to the performances, and writing, "Those going to Undertow expecting a thriller will find the proceedings slow going. However, those who are seduced by the characters and the setting will find that the 105 minutes pass quickly." The Washington Post's Stephen Hunter thought the film conjured up the 1955 thriller The Night of the Hunter, and wrote, "the movie builds slowly to its grinding climax, and the suspense – the standard by which a thriller must primarily be judged – is first-rate."
Read more about this topic: Undertow (2004 Film)
Famous quotes containing the words critical and/or reception:
“To take pride in a library kills it. Then, its motive power shifts over to the critical if admiring visitor, and apologies are necessary and acceptable and the fat is in the fire.”
—Carolyn Wells (1862–1942)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)