Reception
Upon its release, "Un Poco de Amor" received generally favorable reviews from music critics, who recognized it as a stand-out track from Pies Descalzos. Carlos Quintana of About.com complimented the track for its reggae influences, and placed it among his personal favorites from the record. Similarly, Jose F. Promis from Allmusic praised it for being a "dancehall-lite" track, going on to select the song as an "Allmusic Pick". The music video received a Billboard Latin Music Award for Pop Video of the Year. The song peaked at number 11 on the Billboard Latin Pop Songs and Latin Songs component charts. While less successful than its preceding singles, its performance continued to aid its parent album in becoming her breakthrough record, which eventually attained platinum certifications in Argentina, Brazil, and the United States. Pies Descalzos was also awarded the "Diamond Prism" award in Colombia.
In 1996, "Un Poco de Amor" was included in the reissue of Pies Descalzos, titled Colección de Oro. In 2005, it was featured as the third track for Shakira's first greatest hits album Grandes Éxitos. Its appearance in both records was complimented as being reminiscent of her rise to prominence.
Read more about this topic: Un Poco De Amor (song)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)