Plot Summary
Un Argentino en New York tells us the story of Franco Ricci (Guillermo Francella) and his daughter Veronica (Natalia Oreiro). Franco is a porteño who is very sentimental, a musician, separated and with a couple of dreams. Veronica, a brave young girl, attractive and intelligent, who always obtains what she wants.
While Veronica was traveling through New York, she surprisingly decided to stay and live in the city. When Franco, her father, hears the news, he decides to travel and pay her a visit with the goal of bringing her back to Argentina.
Even though it’s hard for Franco to admit it, he’ll discover that in the past months Veronica has grown and is more mature. She has formed a music band called The Verónikos, they debuted in a café and they have shown that they could succeed in the music industry. She has also fallen in love of an American boy, which will bring jealousy to her father.
The movie takes place in New York, a vertiginous city and unknown to Franco, which will bring all different types of hilarious adventures. After the whole journey through Manhattan, it will bring all sorts of feelings between father and daughter, which will change their lives.
Between laughs and tears, Un Argentino en New York shares with us the journey in which a father realizes that her daughter is no longer a teenager, and has turned into a woman.
| Un Argentino En New Уork | ||||
|---|---|---|---|---|
| Soundtrack album by Juan Federico Jusid and Natalia Oreiro | ||||
| Released | May 21, 1998 | |||
| Recorded | ||||
| Genre | Latin pop, Soundtrack | |||
| Length | 29:48 | |||
| Language | Spanish | |||
| Label | BMG Ariola Argentina | |||
| Producer | Pablo Durand, Juan Federico Jusid | |||
| Juan Federico Jusid and Natalia Oreiro chronology | ||||
|
||||
Read more about this topic: Un Argentino En New York
Famous quotes containing the words plot and/or summary:
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“I have simplified my politics into an utter detestation of all existing governments; and, as it is the shortest and most agreeable and summary feeling imaginable, the first moment of an universal republic would convert me into an advocate for single and uncontradicted despotism. The fact is, riches are power, and poverty is slavery all over the earth, and one sort of establishment is no better, nor worse, for a people than another.”
—George Gordon Noel Byron (1788–1824)