Reception
Despite strong sales, Ultimatum received intensely negative reviews since its conclusion. IGN's Jesse Schedeen gave the series' final issue a scathing review, saying, "Ultimatum is one of the worst comics I have ever read," and called it "the ultimate nightmare." Points of criticism among these reviews included the level of graphic violence, which included cannibalism, and the notion that the series was sold on the basis of its shock value. Some reviews also singled out Loeb's dialogue, needless amount of death, inconsistent characterization and storytelling,. Others asserted the story lacked originality, and that the series would have been better suited to someone who had previously been more involved with the Ultimate Marvel line, such as Brian Michael Bendis or Mark Millar. The scientific plausibility of Magneto shifting the magnetic poles in order to create an ecological disaster had also garnered criticism.
Despite negative reviews of the series as a whole, the initial reviews of the series' earlier issues were less negative. David Finch's art was often cited as Ultimatum's best aspect. Weekly Comic Book Review's Andrew C. Murphy gave the series' first issue a B+, praising David Finch's art, while Ben Berger gave it a C, opining that there was too much exposition, but also praising Finch's art.
Read more about this topic: Ultimatum (Ultimate Marvel)
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)