Story
In this story, the X-Men receive a seemingly alien distress signal and fly away with the Blackbird to track it down. Only Wolverine, Shadowcat and Iceman stay behind. In the meanwhile, Rhona Burchill, the Mad Thinker, raids the understaffed X-Mansion and steals Cerebro, and also manages to frame the Fantastic Four for this crime.
Having stolen Cerebro, Rhona revealed that she was contracted by Advanced Idea Mechanics to steal Cerebro and turn it over to them. After being paid for her work, Rhona betrays and kills the A.I.M. operatives sent to retrieve Cerebro, since her true intention was to use Cerebro's technology to increase her intellect even further.
The X-Men trio raids the Baxter Building and fights a surprised and angry F4, but are easily subdued. Burchill then reveals herself as the true culprit and gloats how vastly Cerebro has enhanced her mind, allowing her to take control of peoples' minds and even machines. Mr. Fantastic states that Rhona's mind control abilities have increased frighteningly, and modifies the suits of both teams to provide makeshift psi protection.
The X-Men find out that the alien message was bogus, and that Rhona's psi barriers have increased drastically. The X-Men trio and the F4 reluctantly team up against the Mad Thinker. Rhona is able to find a way around Reed's modifications and take control of everyone except Mr. Fantastic and Wolverine, but Reed beats Rhona by reprogramming Cerebro so that instead of gaining ultimate knowledge, Rhona would gain ultimate empathy for others instead. When she tries to flee, Wolverine sabotages her plane, and it explodes. The X-Men and the F4 part ways amicably.
Read more about this topic: Ultimate X4
Famous quotes containing the word story:
“Personal beauty is then first charming and itself, when it dissatisfies us with any end; when it becomes a story without an end; when it suggests gleams and visions, and not earthly satisfactions; when it makes the beholder feel his unworthiness; when he cannot feel his right to it, though he were Caesar; he cannot feel more right to it than to the firmament and the splendors of a sunset.”
—Ralph Waldo Emerson (1803–1882)
“And now, dear little children, who may this story read,
To idle, silly, flattering words, I pray you ne’er give heed;
Unto an evil counselor close heart, and ear, and eye,
And take a lesson from this tale of the Spider and the Fly.”
—Mary Howitt (1799–1888)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)