Criticism
There is no text in which the Buddha explicitly argues that the universe lacks an essence; he instead critiques positions regarding an ultimate nature of reality — such as those found in the Upanishads — in the manner of later Prasangikas. The Buddha of the early texts does speak of experiencing "luminous consciousness" beyond the six sense media. Passages in which the Buddha criticizes those who talk about things not amenable to experience are quite common in the early texts.
Nagarjuna, one of the most prominent philosophers of Mahayana Buddhism, was considered by early scholarship as propounding an absolutist doctrine with his development of the Buddhist concept of shunyata. This is criticized by many modern scholars as incorrect and not grounded on textual evidence. The consesnsus is that Nagarjuna defended the classical Buddhist emphasis on phenomena. For him shunyata is explicitly used as a middle way between eternalism and nihilism, and that is where its soteriological power lies. It does not refer specifically to an ultimate, universal, or absolute nature of reality. Holding up emptiness as an absolute or ultimate truth without reference to that which is empty is the last thing either the Buddha or Nagarjuna would advocate. Nagarjuna criticized those who conceptualized shunyata: "The Victorious Ones have announced that emptiness is the relinquishing of all views. Those who are possessed of the view of emptiness are said to be incorrigible." By contrast, many schools of Mahayana Buddhism, particularly those in alignment with the Tathagatagarbha scriptures, affirmed some notions regarding a positive absolute, identifying it with the true or original substance or Self of the Buddha.
Read more about this topic: Ultimate Reality
Famous quotes containing the word criticism:
“As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.”
—John Vorster (1915–1983)
“To be just, that is to say, to justify its existence, criticism should be partial, passionate and political, that is to say, written from an exclusive point of view, but a point of view that opens up the widest horizons.”
—Charles Baudelaire (1821–1867)
“A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige through being mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.”
—Rebecca West (1892–1983)