Criticism
There is no text in which the Buddha explicitly argues that the universe lacks an essence; he instead critiques positions regarding an ultimate nature of reality — such as those found in the Upanishads — in the manner of later Prasangikas. The Buddha of the early texts does speak of experiencing "luminous consciousness" beyond the six sense media. Passages in which the Buddha criticizes those who talk about things not amenable to experience are quite common in the early texts.
Nagarjuna, one of the most prominent philosophers of Mahayana Buddhism, was considered by early scholarship as propounding an absolutist doctrine with his development of the Buddhist concept of shunyata. This is criticized by many modern scholars as incorrect and not grounded on textual evidence. The consesnsus is that Nagarjuna defended the classical Buddhist emphasis on phenomena. For him shunyata is explicitly used as a middle way between eternalism and nihilism, and that is where its soteriological power lies. It does not refer specifically to an ultimate, universal, or absolute nature of reality. Holding up emptiness as an absolute or ultimate truth without reference to that which is empty is the last thing either the Buddha or Nagarjuna would advocate. Nagarjuna criticized those who conceptualized shunyata: "The Victorious Ones have announced that emptiness is the relinquishing of all views. Those who are possessed of the view of emptiness are said to be incorrigible." By contrast, many schools of Mahayana Buddhism, particularly those in alignment with the Tathagatagarbha scriptures, affirmed some notions regarding a positive absolute, identifying it with the true or original substance or Self of the Buddha.
Read more about this topic: Ultimate Reality
Famous quotes containing the word criticism:
“A tailor can adapt to any medium, be it poetry, be it criticism. As a poet, he can mend, and with the scissors of criticism he can divide.”
—Franz Grillparzer (17911872)
“The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.”
—Walter Benjamin (18921940)
“Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
—Henry David Thoreau (18171862)