Ulrich Horstmann - Works

Works

  • Ansätze zu einer technomorphen Theorie der Dichtung bei Edgar Allan Poe, Bern 1975. ISBN 3-261-01741-4 (Approaches to a technomorph theory of Edgar Allan Poe's poetry)
  • Er starb aus freiem Entschluß- Ein Schriftwechsel mit Nekropolis, Obertshausen 1976 (under the name Klaus Steintal) (He died from a free decision - a correspondence with necropolis)
  • Wordcadavericon, oder small thermonuclear Versschule for anybody, Cologne 1977. ISBN 3-88097-052-1 (Wordcadavericon or small thermonuclear verse school for everyone)
  • Nachgedichte Miniaturen aus der Menschenleere, Essen 1980 (After poems, Miniatures from the human emptiness)
  • Steintals Vandalenpark Erzählung. Siegen 1981. ISBN 3-922524-04-4 (Steintal's vandal park. Narrative)
  • Terrarium oder Einführung in die Menschenhaltung . Munich 1981 (Terrarium or introduction into the keeping of humans. Stage manuscript)
  • Ästhetizismus und Dekadenz. Zum Paradigmakonflikt in der englischen Literaturtheorie des späten 19. Jahrhunderts. Munich 1983. ISBN 3-7705-2098-X (Aestheticism and decadence. About paradigm conflict in the English theory of literature of the late 19th century)
  • Parakritik und Dekonstruktion . Paradise criticism and deconstruction. An introduction to the American post. Würzburg 1983. ISBN 3-88479-131-1
  • The Beast (Das Untier). Contours of a philosophy of human flight. Vienna 1983. ISBN 3-88602-075-4 (reprint Warendorf 2004. ISBN 3-936345-47-3)
  • Brain Stroke (Hirnschlag), Aphorisms, Abtestate, Berserkasmen. Göttingen 1984. ISBN 3-88694-501-4
  • Silo, A lesson in brood care. (Stage manuscript) Göttingen 1984
  • The Donor (Der Spender), A comedy for Empfängnisbereite. (Stage manuscript) Munich 1984
  • The Fortunes of OmB'assa, fantastic novel (Das Glück von OmB'assa, Phantastischer Roman), Frankfurt am Main 1985. ISBN 3-518-37588-1
  • The Long Shadow of Melancholy (Der lange Schatten der Melancholie), Essay on a angeschwärztes feeling. Essen 1985. ISBN 3-924368-24-4
  • Ufo oder Der dritte Stand . Eine leicht versandete Komödie. UFO, or the third. Comedy A slightly silted. (Stage manuscript) Munich 1987
  • Schwedentrunk . Sweden draft. Gedichte. Poems. Frankfurt am Main 1989. ISBN 3-596-22362-8
  • Patzer . Patzer. Roman. Zurich 1990. ISBN 3-251-00165-5
  • Ansichten vom großen Umsonst . Views from large Zilch. Essays. Gütersloh 1991. ISBN 3-579-01114-6
  • Ich kaufe ein Gedankenlos . I buy a Gedankenlos. Aphorismen. Aphorisms. Hamburg 1993
  • Infernodrom . Infernodrom. Programm-Mitschnitte aus dreizehn Jahren. Programm-Mitschnitte thirteen years. Paderborn 1994. ISBN 3-927104-82-5
  • Altstadt mit Skins . Old Town with skins. Gedichte. Poems. Paderborn 1995. ISBN 3-927104-96-5
  • Conservatory (Konservatorium), Stories about short or long. Paderborn 1995. ISBN 3-89621-017-3
  • Summon Shadow Realm (Beschwörung Schattenreich), Collected plays and radio plays 1978 until 1990, with an essay about the art, to go to hell. Paderborn 1996. ISBN 3-89621-036-X
  • Gateway (Einfallstor), New aphorisms. Oldenburg 1998. ISBN 3-89621-065-3
  • Jeffers-Meditationen oder Die Poesie als Abwendungskunst . Jeffers-Meditationen or averting The poetry as art. Heidelberg 1998. ISBN 3-930978-10-5
  • Abdrift . Drift. Neue Essays. New essays. Oldenburg 2000. ISBN 3-89621-103-X
  • Göttinnen, leicht verderblich . Goddesses, easily perishable. Gedichte. Poems. Oldenburg 2000. ISBN 3-89621-106-4
  • J . Ein Halbweltroman. J. A half-Roman World. Oldenburg 2002. ISBN 3-89621-138-2
  • Ausgewiesene Experten . Expelled experts. Kunstfeindschaft in der Literaturtheorie des 20. Art hostility in the literary theory of 20th Jahrhunderts. Century. Frankfurt am Main 2003. ISBN 3-631-50887-5
  • Picknick am Schlagfluß . Picnic on strike river. Poems. Oldenburg, 2005. ISBN 3-89621-204-4

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Famous quotes containing the word works:

    “Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
    —William Butler Yeats (1865–1939)

    “The subterranean miner that works in us all, how can one tell whither leads his shaft by the ever shifting, muffled sound of his pick?”
    —Herman Melville (1819–1891)

    “I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
    —George Bernard Shaw (1856–1950)