Portrayal in Popular Culture
Joachim von Ribbentrop has been portrayed by the following actors in film, television and theatre productions;
- Henry Daniell in the 1943 United States propaganda film Mission to Moscow
- Graham Chapman (as "Ron Vibbentrop") in the 1970 British television comedy Monty Python's Flying Circus: The Naked Ant
- Henryk Borowski in the 1971 Polish film Epilogue at Nürnberg
- Miodrag Radovanovic in the 1971 Yugoslavian television production Nirnberški Epilog
- Geoffrey Toone in the 1973 British television production The Death of Adolf Hitler
- Robert Hardy in the 1974 television production The Gathering Storm
- Kosti Klemelä in the 1978 Finnish television production Sodan ja rauhan miehet
- Demeter Bitenc in the 1979 Yugoslavian television production Slom
- Anton Diffring in the 1983 United States television production The Winds of War
- Hans-Dieter Asner in the 1985 television production Mussolini and I
- Richard Kane in the 1985 US/Yugoslavian television production Mussolini: The Untold Story
- John Woodvine in the 1989 British television production Countdown to War
- Wolf Kahler in the 1993 Merchant-Ivory film The Remains of the Day
- Benoît Girard in the 2000 Canadian/US TV production Nuremberg
- Ivaylo Geraskov in the 2006 British television docudrama Nuremberg: Nazis on Trial
- Edward Baker-Duly in the 2010 BBC Wales/Masterpiece TV production Upstairs, Downstairs
Read more about this topic: Ulrich Friedrich Wilhelm Joachim Von Ribbentrop
Famous quotes containing the words portrayal, popular and/or culture:
“From the oyster to the eagle, from the swine to the tiger, all animals are to be found in men and each of them exists in some man, sometimes several at the time. Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls. God displays them to us to give us food for thought.”
—Victor Hugo (1802–1885)
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)