Plot
When Jimmy Corcoran is hired to help prepare the memoirs of a deceased colonial, he is amazed to see his friend Ukridge visiting the house, pretending not to know him. He had, earlier that day, received a bottle of patent medicine and a parrot, delivered by Ukridge, so he is even more amazed when Ukridge brings up parrots to his employer, Lady Elizabeth Lakenheath.
Ukridge later reveals that he has fallen in love with and wooed Millie, Lady Elizabeth's niece and ward, and together they have kidnapped the parrot in order to help obtain the aunt's consent to their marriage. Ukridge is also involved in the sale of "Peppo", the patent medicine.
The parrot scheme is successful, but Millie's aunt wishes to meet Ukridge's Aunt Julia. Knowing that any such meeting will result in the revealing of Ukridge's past, they must stop the two from coming into contact until Aunt Julia, currently working in rural seclusion, leaves for a tour of America.
When Lady Elizabeth is invited to a meeting of the Pen and Ink Club, Corky goes to Aunt Julia's house to intercept a speech she is due to make at the meeting, hoping that the lack of a speech will prevent her from attending. Julia has returned early, however, and is highly suspicious of Corky's presence. Next day at the Lakenheath's he expects to find Ukridge's name turned to mud, but all is well; Lady Elizabeth was unable to attend the meeting, as her precious parrot was sick.
Ukridge reveals that the plucky Millie had plied the parrot with Peppo, rendering it dangerously inebriated.
Millie and Ukridge would later marry, and on occasion rely on Lady Elizabeth to pull them out of hot water, as in Love Among the Chickens (1913).
Read more about this topic: Ukridge Rounds A Nasty Corner
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)