Stage
Around 1990, Perry moved to Atlanta, where two years later I Know I've Been Changed was first performed at a community theater, financed by the 22-year-old Perry's $12,000 life savings. The play included Christian themes of forgiveness, dignity, and self-worth, while addressing issues such as child abuse and dysfunctional families. The musical initially received a "less than stellar" reception and was a financial failure. Perry persisted, and over the next six years he rewrote the musical repeatedly, though lackluster reviews continued. In 1998, at age 28, he succeeded in retooling the play and restaging it in Atlanta, first at the House of Blues, then at the Fox Theatre. Perry continued to create new stage productions, touring with them on the so-called "chitlin' circuit" (now also known as the "urban theater circuit") and developing a large, devoted following among African-American audiences. In 2005, Forbes reported that he had sold "more than $100 million in tickets, $30 million in videos of his shows and an estimated $20 million in merchandise", and "the 300 live shows he produces each year are attended by an average of 35,000 people a week".
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Famous quotes containing the word stage:
“Harvey: Oh, you kids these days, Im telling you. You think the only relationship a man and a woman can have is a romantic one.
Gil: That sure is what we think. You got something better?
Harvey: Oh, romance is very nice. A good thing for youngsters like you, but Helene and I have found something we think is more appropriate to our stage of lifecompanionship.
Gil: Companionship? Ive got a flea-bitten old hound at home wholl give me that.”
—Tom Waldman (d. 1985)
“Their rebukes have never made me angry, because I have always wondered why they did not rebuke me more. They should have. Their friendly praise has been one of the sweetest, most warming things in my life in the theater. I do go on the stage unafraid of them and with love in my heart for them.”
—Minnie Maddern Fiske (18651932)
“We must be willing to change chairs if we want to grow. There is no permanent compatibility between a chair and a person. And there is no one right chair. What is right at one stage may be restricting at another or too soft. During the passage from one stage to another, we will be between two chairs. Wobbling no doubt, but developing.”
—Gail Sheehy (20th century)