Reception
Originally, the book was received poorly; despite being published the same year as Ruscha's first exhibition at the Ferus Gallery, Los Angeles-which also represented Andy Warhol- the book was rejected by the Library of Congress for its 'unorthodox form and supposed lack of information'. The book gradually acquired cult status through the sixties, and by the eighties was often being hailed as the first modern artist's book although in fact Dieter Roth's artist's books share the same mass-produced aesthetic and investigate the nature of books with at least as much formal vigour, and predate Ruscha's first publication by 7 years. Additionally, Warja Lavater's first book, William Tell (New York : Junior Council, Museum of Modern Art, 1962 (OCLC 10911288), an accordion folded book written using symbols only, preceded Ruscha's Twentysix Gasoline Stations.
An original signed copy of Twentysix Gasoline Stations is now worth up to $35,000.
Copies are kept in public collections across the world, including MOMA, V&A, Tate, and the National Gallery of Australia.
Read more about this topic: Twentysix Gasoline Stations
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)