Media
An early T140E was Richard Gere's motorcycle in the 1982 romantic drama film An Officer and a Gentleman. The same motorcycle, then the property of Paramount pictures, was used in the Judd Nelson thriller Blue City. A T140 was also disguised as an earlier Bonneville T120 for another of Richard Gere's rides in his later film Mr. Jones. Prior to these movies, Richard Gere himself also bought a Bonneville from Triumph with his pay from the touring production of the musical Grease in the 1970s.
Australian film Garage Days prominently features a mildly customised late T140E from the early 1980s. 1973 T140V Bonnevilles featured prominently in Hollywood blaxploitation biker film The Black Six and could be seen in Race with the Devil with later models making occasional appearances in contemporary television series such as CHiPS and The Sweeney.
Film and television appearances of the T140 Bonneville continu ed even in the late 1980s and 1990s after production ended, such as in Melrose Place, The Kids in the Hall, Sweet Angel Mine, The Fourth Protocol and even the 1999 Swedish movie Tsatsiki, morsan och polisen.
A 1979 T140E Bonneville also featured in Elton John's 1983 promotional video for his song "Kiss the Bride".
On his album Euroman Cometh, Jean-Jacques Burnel had his T140 rev its engine during the performance of the song "Triumph (Of the Good City)", something that was repeated at live performances.
Read more about this topic: Triumph Bonneville T140
Famous quotes containing the word media:
“Few white citizens are acquainted with blacks other than those projected by the media and the so—called educational system, which is nothing more than a system of rewards and punishments based upon one’s ability to pledge loyalty oaths to Anglo culture. The media and the “educational system” are the prime sources of racism in the United States.”
—Ishmael Reed (b. 1938)
“The corporate grip on opinion in the United States is one of the wonders of the Western World. No First World country has ever managed to eliminate so entirely from its media all objectivity—much less dissent.”
—Gore Vidal (b. 1925)
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)