Media
An early T140E was Richard Gere's motorcycle in the 1982 romantic drama film An Officer and a Gentleman. The same motorcycle, then the property of Paramount pictures, was used in the Judd Nelson thriller Blue City. A T140 was also disguised as an earlier Bonneville T120 for another of Richard Gere's rides in his later film Mr. Jones. Prior to these movies, Richard Gere himself also bought a Bonneville from Triumph with his pay from the touring production of the musical Grease in the 1970s.
Australian film Garage Days prominently features a mildly customised late T140E from the early 1980s. 1973 T140V Bonnevilles featured prominently in Hollywood blaxploitation biker film The Black Six and could be seen in Race with the Devil with later models making occasional appearances in contemporary television series such as CHiPS and The Sweeney.
Film and television appearances of the T140 Bonneville continu ed even in the late 1980s and 1990s after production ended, such as in Melrose Place, The Kids in the Hall, Sweet Angel Mine, The Fourth Protocol and even the 1999 Swedish movie Tsatsiki, morsan och polisen.
A 1979 T140E Bonneville also featured in Elton John's 1983 promotional video for his song "Kiss the Bride".
On his album Euroman Cometh, Jean-Jacques Burnel had his T140 rev its engine during the performance of the song "Triumph (Of the Good City)", something that was repeated at live performances.
Read more about this topic: Triumph Bonneville T140
Famous quotes containing the word media:
“Today the discredit of words is very great. Most of the time the media transmit lies. In the face of an intolerable world, words appear to change very little. State power has become congenitally deaf, which is why—but the editorialists forget it—terrorists are reduced to bombs and hijacking.”
—John Berger (b. 1926)
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“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)