Analysis
Although at the same time enharmonically sounding like the half-diminished chord F-A♭-C♭-E♭, it can also be interpreted as the suspended altered subdominant II: B-D♯-F-G♯ (the G♯ being the suspension in the key of A minor).
Jean-Jacques Nattiez writes that musical analyses are determined by analytical situations especially in regard to the tripartition, plots, and transcendent principles. Regarding the Tristan chord, the situations discussed here include what the analyst believes happens with the chord later in Tristan and Isolde, and relate to the possible belief in only three harmonic functions, or in functional successions determined by the circle of fifths.
Read more about this topic: Tristan Chord
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