Production
- Produced by: Lit and Matt Gruber
- Recorded and mixed by: Matt Gruber
- Recorded: in Los Angeles at Grand Master Hollywood Sound
- Mixed at: Scream and Hollywood Sound
- 2nd Engineers: Todd Burke, Bryan Davis, Josh Turner, and Ralph Cacciutti
- 2nd Mix Engineers: Ryan Boesch and Doug Trantow
- Mastered by: Eddy Schreyer at Oasis
- Art Design and Layout by: Ng Smimizu for Grip Grafix
- Tray Card Collage by: Priscila Bara
- Photography by: Jeff Bender
All Concepts by: Lit
- Management: Ruta E. Sepetys
- A&R: Craig McDonald
- Legal: SCott Harrington, Manatt Phelps & Phillips
Additional players:
- Tabla on "Habib": Satnam Singh Ramgotra
- Cello on "Explode" & "Dozer": Derek Dee
- Orchestra on "Dozer": Neils Bye Nielson
- D.J. on "Cadillac": A.J. Martin
Read more about this topic: Tripping The Light Fantastic (album)
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the familys survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Houseworkcleaning, feeding, and caringis unimportant.”
—Debbie Taylor (20th century)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (18091882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. The Limits of the Novel and the Limits of the Film, Novels Into Film, Johns Hopkins Press (1957)