Novels
- The Deep Blue Good-by (1964)
- Nightmare in Pink (1964)
- A Purple Place for Dying (1964)
- The Quick Red Fox (1964)
- A Deadly Shade of Gold (1965)
- Bright Orange for the Shroud (1965)
- Darker than Amber (1966)
- One Fearful Yellow Eye (1966)
- Pale Gray for Guilt (1968)
- The Girl in the Plain Brown Wrapper (1968)
- Dress Her in Indigo (1969)
- The Long Lavender Look (1970)
- A Tan and Sandy Silence (1971)
- The Scarlet Ruse (1972)
- The Turquoise Lament (1973)
- The Dreadful Lemon Sky (1974)
- The Empty Copper Sea (1978)
- The Green Ripper (1979)
- Free Fall in Crimson (1981)
- Cinnamon Skin (1982)
- The Lonely Silver Rain (1984)
In addition, the 1966 MacDonald novel The Last One Left carries the author's inscription, "I dedicate this novel to TRAVIS McGEE, who lent invaluable support and encouragement." With much of the action occurring in the boat cruising world of southeastern Florida, it is similar to some of the McGee stories. The book also mentions the Muñequita, a small runabout that McGee later buys in Pale Gray for Guilt.
Read more about this topic: Travis McGee
Famous quotes containing the word novels:
“Compare the history of the novel to that of rock n roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. Material Differences, Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.”
—Annie Dillard (b. 1945)
“The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we dont knowNigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novelthe quality of philosophy.”
—Doris Lessing (b. 1919)