Style
The series is consistently shot in a mockumentary style (including the use of long takes), but often the camera crew became engrossed in the plot. On several occasions, the camera and boom mic operators are spoken to by the characters, and often end up becoming directly involved in the action. In one episode, a crew member is shot, and they are also enlisted several times to help the characters when a pair of extra hands is needed. All of this is intended to produce the feeling that these are real events that are happening to real people, when in reality, the show is loosely scripted and much of the dialog is ad-libbed from very basic plot points laid out beforehand.
Furthering the myth that Trailer Park Boys is nonfiction, many of the actors (particularly Robb Wells, John Paul Tremblay, Mike Smith and John Dunsworth) often make public appearances without breaking character.
The cinematographic style of the show is split between rough handheld camera work and clearly planned camera work; the latter sometimes involves crane shots and quite clearly pre-arranged fixed-camera shots.
Read more about this topic: Trailer Park Boys
Famous quotes containing the word style:
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.”
—Margaret Oliphant (1828–1897)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)