Critical Reception
The series received overwhelmingly positive reviews, with many critics dissecting elements of the show, including the length of the sketches, the show's format, and its celebrity mock-ups. Suggesting that Ullman's stronger portrayals are found in her original characters, rather than the famous, one reviewer wrote, "Ullman's satire is at its best when she inhabits the little people." Others praised its collection of famous, and semi-famous impersonations, including Arianna Huffington, "who sleeps with her laptop and has a dramatic Eva Gabor accent and penchant for using "blog" in every part of her speech." "Her best moments came as Arianna, Dina and Laurie ", stated April MacIntyre, of Monsters & Critics.
Its Youtube-format garnered a few complaints. "...She can do so much, initially she's doing too much. Though fun, the opener's skits are too short, and the characters too numerous, for any one joke to register. But give the show a week to settle, and the strengths of Ullman's concept come to the fore. As the show grows clearer and funnier, you may even find yourself anticipating the return of favorite characters..."
Commenting on the writing, a critic noted, "Ullman is obviously great at impressions, but it's the sharpness of the writing that sets this show apart from other sketch comedies. Ullman tosses off so many excellent one-liners along the way, it's hard to keep track of them all."
"It may take "Saturday Night Live" a season to put out this many funny characters and celebrity portrayals. But the glossy "State of the Union", narrated by Peter Strauss, churns out a dozen or more in each week's half-hour."
Read more about this topic: Tracey Ullman's State Of The Union
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