Plot
The older Paul Verlaine meets the dead Arthur Rimbaud's sister, Isabelle, in a café in Paris. Isabelle and her mother want Verlaine to hand over any copies he may still have of Rimbaud's poems so that they can burn them; they fear the lewdness of his writings. Verlaine reflects on the wild relationship he had had with Rimbaud, beginning when the teenaged Rimbaud had sent his poetry to Verlaine from his home in the provinces in 1871. Verlaine, instantly fascinated, impulsively invites him to his rich father-in-law's home in Paris, where he lives with his young, pregnant wife. The wild, eccentric Rimbaud displays no sense of manners or decency whatever, scandalising Verlaine's pretentious, bourgeois in-laws.
Verlaine is seduced by the 16-year-old Rimbaud's physical body as well as by the unique originality of his mind. The staid respectability of married, heterosexual life and easy, middle class surroundings had been stifling Verlaine's admittedly sybaritic literary talent. His taking up with Rimbaud is as much a rebellion and a liberation as it is a giving in to self-indulgence and masochism. Rimbaud acts as sadistically to Verlaine as does Verlaine to his young wife, whom he eventually deserts. A violent, itinerant relationship ensues between the two poets, the sad climax of which arrives in Brussels when a drunken and enraged Verlaine shoots and wounds Rimbaud and is sentenced to prison for sodomy and attempted murder.
In prison, Verlaine converts to Christianity, to his erstwhile lover's disgust. Upon release he meets Rimbaud in Germany, vainly and mistakenly seeking to revive the relationship. The two men part, however, never to meet again. Bitterly renouncing literature in any form, Rimbaud travels the world alone, finally settling in Abyssinia (modern day Ethiopia) to run a "trading post". There he has a mistress and possibly a young boy-lover. A tumor in his right knee forces him back to France where his leg is amputated. Nevertheless, the cancer spreads and he dies at the age of 37. When he dies, the image of one of his most famous poems, Le Dormeur du val, appears.
During her conversation with Verlaine, Isabelle Rimbaud asserts that her brother had accepted confession from a priest right before he died, showing Christian penitence, which is why only the censored versions of his poetry should survive. Verlaine pretends to agree but tears up her card after she leaves. Later, Verlaine, drinking absinthe (to which he has become addicted), sees a vision of the sixteen-year-old Rimbaud, returned from some transcendent realm to express the love and respect Verlaine has thus posthumously earned. The film ends with the young Rimbaud walking alone on a mountain range, Verlaine proclaiming that they were both happy together, and Rimbaud claiming to have finally found eternity.
Read more about this topic: Total Eclipse (film)
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“There saw I how the secret felon wrought,
And treason labouring in the traitor’s thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?–1400)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)