Tony Drago - Playing Style

Playing Style

His combination of exceptionally fast play and emotional temperament has made him a popular character in snooker, although he was famously criticised by Steve Davis for hurling his cue at the table and storming out of the arena following his 1–5 quarter final defeat to Mark Bennett in the 1996 Grand Prix, with Drago later accusing his opponent of bad sportsmanship, because the latter had twice in the match suggested that Drago missed the object ball deliberately while snookered. Similarly, he became visibly angry with Peter Ebdon during their second round match in the 2003 World Championship, in which Ebdon repeatedly left the arena between frames. Drago took this as an attempt to disrupt the flow of his game, but apologised publicly when he later found out that Ebdon had been ill during the match.

Drago is known for his consistently high-speed play, similar to pool players Lou Butera of the United States and Luc Salvas of Canada, or snooker's Ronnie O'Sullivan. His style has earned him the nickname "the Tornado" and in more recent times has been known among the pool community as the "Maltese Whippet" (due to another player using the Tornado nickname in pool).

Currently Drago plays with a John Parris cue.

Read more about this topic:  Tony Drago

Famous quotes containing the words playing and/or style:

    And there were present
    the Picninnies,
    and the Jobillies,
    and the Garyulies,
    and the great Panjandrum himself,
    with the little round button at top;
    and they all fell to playing the game
    of catch-as-catch-can,
    till the gunpowder ran out at the heels of their boots.
    Samuel Foote (1720–1777)

    The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.
    Edgar Allan Poe (1809–1849)