Film
Conrad's most famous film, The Flicker (1966), is considered a key early work of the structural film movement. The film consists of only completely black and completely white images, which, as the title suggests, produces a flicker when projected. When the film was first screened several viewers in the audience became physically ill. (Rapid flashes produce epileptic attacks in a small percentage of population.) Conrad began to work in video and performance in the 1970s as a professor at Antioch College in Ohio and the Center for Media Studies at the University at Buffalo.
Another of Conrad's early films, "Coming Attractions" (1970) led indirectly to the founding of Syntonic Research and the Environments series of natural sound recordings.
Conrad's work has been shown at many museums including the Museum of Modern Art and P.S. 1 in New York City. In 1991, he had a video retrospective at The Kitchen, an artist-run-organization in New York City. His film The Flicker was included in the Whitney Museum of American Art's exhibition, The American Century. In 2006, the full hour-long recording of Conrad's Joan of Arc was released, a 1968 recording for the soundtrack to Piero Heliczer's like-named short film.
Conrad has been a faculty member in the State University of New York at Buffalo since 1976. He continues to teach there in the Department of Media Study as well as work on many notable B&W film image projects with Princess G. St. Mary.
Read more about this topic: Tony Conrad
Famous quotes containing the word film:
“Lay not that flattering unction to your soul,
That not your trespass but my madness speaks;
It will but skin and film the ulcerous place,
Whilst rank corruption, mining all within,
Infects unseen.”
—William Shakespeare (1564–1616)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)