Career
Returning to London in 1945, Reilly began championing the cause of the harmonica as a serious solo concert instrument. He began parallel careers as a concert soloist and recitalist, a popular BBC radio and TV performer, and a studio musician-composer. He performed with most of the major European orchestras and toured Europe several times with the Academy of St Martin-in-the-Fields. He also played the theme tune and musical breaks to the BBC Radio series The Navy Lark from 1959 to 1977. The theme was a traditional hornpipe called St Ninian's Isle.
Over 30 concert works have been composed for Reilly, including Michael Spivakovsky's Harmonica Concerto of 1951 (considered the first important full-scale concerto for harmonica), and fellow Canadian Robert Farnon's Prelude and Dance for Harmonica and Orchestra. Other pieces were composed for him by Reilly's accompanist James Moody, Matyas Seiber (Old Scottish Air for Harmonica, Strings and Harp), Gordon Jacob (Five Pieces for Harmonica and Strings), Fried Walter (Ballade and Tarantella for Harmonica and Orchestra), Karl Heinz-Köper (Concerto for Harmonica and Orchestra), Graham Whettam (Fantasy for Harmonica and Orchestra), Vilem Tausky (Concertino for Harmonica and Orchestra), Francis Ward (Kaleidoscope for Harmonica and Orchestra), Willem Strietman ("O bonne douce France" for Harmonica and Orchestra), Max Saunders (Sonatina for Harmonica and Piano), Sir George Martin (Three American Sketches for Harmonica and Strings, and Adagietto for Harmonica and Strings), Alan Langford (Concertante for Harmonica and Strings), Paul Patterson (Propositions for Harmonica and Strings). Reilly himself transcribed works by Bach, Chopin and Mozart amongst others, for the harmonica. Reilly worked with many composers to get more original music written for the instrument, and his recordings also include original harmonica works by Ralph Vaughan Williams, Malcolm Arnold, Arthur Benjamin, and Villa-Lobos.
His first recording, for Parlophone, was produced by Sir George Martin in 1951. He also performed music for the soundtracks of many US and European films and for several US TV series. Among the composers who wrote film scores for Reilly were Bernard Herrmann, Elmer Bernstein and Dimitri Tiomkin.
In 1967, Reilly initiated the development of the first Hohner silver harmonica, which became the de facto standard concert instrument for many years and to which Hohner has made with few adjustments ever since.
Tommy Reilly and James Moody have recorded many musical scores for the harmonica under the pen names "Dwight Barker" and "Max Martin". One of such musical compilation is the LP: Conroy/Berry Music – Conroy BMLP 160 – Album Title: Conroy Recorded Music Library: Harmonica, 1976, which is a compilation of previous 78 RPM of the 1960s from Berry Music.
In 1992 he received an MBE (Member of the Order of the British Empire) from Queen Elizabeth for his services to music.
Reilly developed and invented much of the playing technique which is common today. He wrote a handbook Play like the Stars, about playing classical style on the chromatic harmonica.
He died aged 81 in Frensham, Surrey.
His granddaughter Georgina Reilly is a Canadian film and television actor.
Read more about this topic: Tommy Reilly
Famous quotes containing the word career:
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)