Tom Thomson - Legacy and Influence

Legacy and Influence

Since his death, Thomson's work has grown in value and popularity. In 2002, the National Gallery of Canada staged a major exhibition of his work, giving Thomson the same level of prominence afforded Picasso, Renoir, and the Group of Seven in previous years. In recent decades, the increased value of Thomson's work has led to the discovery of numerous forgeries of his work on the market.

In September 1917 the artists James E. H. MacDonald and John W. Beatty, assisted by area residents, erected a memorial cairn at Hayhurst Point on Canoe Lake, where Thomson died. The cost was paid by MacCallum. It can be accessed by boat. In the summer of 2004 another historical marker honouring Thomson was moved from its previous location nearer the centre of Leith to the graveyard in which Thomson is now buried. In 1967 the Tom Thomson Memorial Art Gallery opened in Owen Sound. Numerous examples of his work are also on display at the National Gallery of Canada in Ottawa, the Art Gallery of Ontario, and the McMichael Canadian Art Collection in Kleinburg, Ontario. Thomson's influence can be seen in the work of later Canadian artists, including Emily Carr, Goodridge Roberts, Harold Town, and Joyce Wieland.

In 1970, Judge William Little published a book, The Tom Thomson Mystery, about his digging up of Thomson's original gravesite in the Mowat Cemetery on Canoe Lake in 1956. He and three companions found a body in what they believed was Thomson's coffin. Medical investigators determined that the body was that of an unknown Native Canadian. However Roy MacGregor has described a new (2009) examination of the 1956 evidence and concluded that the body was actually Thomson, indicating "that Thomson never left Canoe Lake."

Joyce Wieland based a movie (The Far Shore) on the life and death of Tom Thomson.

On 3 May 1990 Canada Post issued 'The West Wind, Tom Thomson, 1917' in the Masterpieces of Canadian art series. The stamp was designed by Pierre-Yves Pelletier based on an oil painting "The West Wind", (1917) by Thomas John Thomson in the Art Gallery of Ontario, Toronto, Ontario. The 50¢ stamps are perforated 13 X 13.5 and were printed by Ashton-Potter Limited.