Toby Stephens - Television

Television

Year Title Role Notes
1992 The Camomile Lawn Oliver Based on the book The Camomile Lawn by Mary Wesley
1996 The Tenant of Wildfell Hall Gilbert Markham Based on the book The Tenant of Wildfell Hall by Anne Brontë
2000 The Great Gatsby Jay Gatsby Based on the book The Great Gatsby by F. Scott Fitzgerald
2001 Perfect Strangers Charles
2002 Napoléon Tsar Alexander I Based on the book by Max Gallo
2003 Essential Byron Reader Dramatised documentary focusing on poet Lord Byron's work
2003 Cambridge Spies Kim Philby
2003 Agatha Christie's Poirot Five Little Pigs Philip Blake Based on the book Five Little Pigs by Agatha Christie
2004 London Casanova
2005 Waking the Dead Dr Nick Henderson Season 5, Episodes 5 and 6 (Subterraneans, Parts I and II)
2005 The Queen's Sister Anthony Armstrong-Jones
2006 The Best Man Peter Tremaine
2006 Secrets of the Dead:The Umbrella Assassin Narrator Season 5, Episode 5; an account of the murder of Georgi Markov
2006 Sharpe's Challenge William Dodd Based on Bernard Cornwell's Richard Sharpe series
2006 Jane Eyre Edward Fairfax Rochester Based on the book Jane Eyre by Charlotte Brontë
2007 The Wild West - Custer's Last Stand General George Armstrong Custer Dramatised documentary
2008 Wired Crawford Hill Mini-Series
2009 The Best Job In The World Narrator Documentary based on Tourism Queensland's publicity stunt for a barrier islands' 'caretaker'
2009 Robin Hood - Series 3 Prince John of England
2010 Strike Back Arlington Based on the book by Chris Ryan
2010 Lost: The Mystery of Flight 447 Narrator Documentary on Air France Flight 447
2010 The Blue Geranium George Pritchard A Miss Marple mystery based on the Agatha Christie short story (first published in The Thirteen Problems
2010, 2012 Vexed Jack Armstrong Written by Howard Overman
2012 Law & Order: UK Prof. Martin Middlebrook
2012 Inspector Lewis David Connelly Series 6 episode 2 (Generation of Vipers)

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Famous quotes containing the word television:

    Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.
    Marc Fumaroli (b. 1932)

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.
    Susan Sontag (b. 1933)